Particle System Upgrades

I slightly tweaked the JME core particle system to support extension, then created 2 simple extensions for :

  • physics based particles : particles that interact with the BulletAppState physicsSpace; and
  • particle scaling based on velocity vector : the faster a particle is moving the more longer it gets – I used this to cheaply simulate motion blur;

Matrix Inspired Dojo Scene

For me this was an exercise in basic modelling and texturing, efficient blender to JME pipeline, using cinematic and fine tuning various effects filters.

The scene is unlit (no lights), no shadows, no texture baking, no specular highlights, so it does look pretty flat, those will come next.

Volumetric Light Filter

I have been working on  Volumetric Light Filter on and off for the past few weeks, and it’s finally mostly done:

3 “Volumetric Spot Lights” buzzing around… There is no real lighting in the scene, nor are there any real shadows, it is simply showing off the volumetric light.

Earlier video testing in a real scene (Village Showcase courtesy of @destroflyer) using shadows and a real spot light:


I wrote up a detailed post explainging how the systems works on the JME forum, which I will republish here at a later date. Links to the full source are available there also.

Screen Space Distortion Filter

I made a Screen Space Distortion Filter, and released it to the JMonkey community, this is an abridged version of my original post on the JME forums.

This is a test scene rendering showing the effect in action in several forms : simple static box, animated Sinbad and a very basic particle fire. The scene along with the full source is available for download (~686kb). Keep in mind this is still a work in progress, so the filter has not been completely finalised. However the source is a good learning tool to accompany the explanation bellow, so i will offer it up in its current form. Oh, and the video was recorded using an older version of the source, so the download doesn’t exactly match the video (mostly just the debug view).

(fire close up)

Some other possible applications would be explosion shock waves, Matrix style bullet trails, water splashes on the screen, glass effects, water effects, Predator camouflage, heat haze… I’m sure you can think of more.

The filter itself is pretty trivial, It uses a system similar to normal mapping, the red channel is used for x (or u) offset, from 0 – 255, with 128 (half red) being 0% offset, 0 (or no red) being -100% offset, and 255 (full red) being 100% offset. The green channel is used for y (or v) offset, and the blue channel is a multiplier. These details are still being toyed with and finalized.

For the test, I used a simple variation on the ColoredTextured material. How the colour for the offset is decided (ie what material is used), really doesn’t matter all that much. A solid colour would work and would give a uniform offset across an entire object. A simple Fresnel based shader would work great as it could be used to make the edges distort more than the middle. Animated textures, like in the particle material, could also be used, and would be effective on objects that aren’t moving, to give the displacement some movement (ripples on the surface of a pond for example).


Applying Post-Process Filter effects to only selected objects

The key to getting the filter to work, was finding a way to isolated certain objects in the scene, and applying a filter only to them. The technique I present should be handy for many shader developers, and something I have wanted the ability to do for a while now. I will try and explain how I achieved this….

Step 1: Find a way to flag or tag the items we are trying to isolate. 
For this I used a custom Material Technique. The idea being that I can create a new material, or modify an existing one, to include this new technique, then when it comes to post, I can single out only objects using a material with this technique using a ForcedTechnique render pass. For the SSDF, I created a technique “ScreenSpaceDistortion”.

Step 2: Make sure the objects using the new material, don’t get rendered with the rest of the scene.
This isn’t always strictly required for all effects, but for simplicity, I do this with my new material. To achieve this, I simply changed the default Technique fragment shader, to use a new shader “Blank.frag”, which is empty :

void main() {

(I tried to simply remove the default Technique all together but this causes all sorts of problems, a change to the core would be required to get this to work)

At this point, our scene can be rendered without the objects we are trying to isolate in post, so we move onto the Filter itself.

Step 3 : Setup a render pass to render only objects we wish to apply the filter to (those objects using a material with the new technique).
This is done with a simple render pass, setup in the initFilter method.

distortPass = new Pass();
distortPass.init(renderManager.getRenderer(), w, h, Format.RGB8, Format.Depth, 1, true);

Step 4 :Setup our final composition shader, and pass the colour and depth information from the render pass, to the shader.
material = new Material(manager, “MatDefs/SSDFinal.j3md”);

material.setTexture("DistortionTex", distortPass.getRenderedTexture());
material.setTexture("DistortionDepth", distortPass.getDepthTexture());

Step 5 : Render only our target objects.
Within postQueue :

renderManager.getRenderer().setFrameBuffer(distortPass.getRenderFrameBuffer()); // we want to render to the distortPass Frame Buffer
renderManager.getRenderer().clearBuffers(true, true, true); // clear the buffer
renderManager.setForcedTechnique("ScreenSpaceDistortion"); // set our forced technique
renderManager.renderViewPortQueues(viewPort, false); // do the render
renderManager.setForcedTechnique(null); // clear our forced technique so we dont screw up the rest of the application

Step 6: Apply our effect (or filter) to the selected target objects.
This is done within the final composition shader, SSDFinal.j3md in this case, which has access to 4 key Textures …

uniform sampler2D m_Texture; // original scene colour
uniform sampler2D m_DepthTexture; // original scene depth
uniform sampler2D m_DistortionTex; // target object colours
uniform sampler2D m_DistortionDepth; // target objects depths

It’s now in the hands of the shader developer to work their magic.

Step 7 : Compose the final render by merging the original scene with the new effect render.
In the case of the distortion filter, as with most filters, it is important to retain the depth order, so foreground objects occlude (hide) background objects. A depth test is achieved by using a step function in the final shader (basically a simple less than / greater than comparator).

this is how it looks in the SSDFinal.frag …

gl_FragColor = mix(texture2D(m_Texture, displacementCoord),origColor,step(sceneDepth,distortionDepth));

but a more generic version would be:

gl_FragColor = mix(texture2D(m_Texture, texCoord), texture2D(m_CustomObjectPassTex, texCoord),step(texture2D(m_DepthTexture,textCoord),texture2D(m_CustomObjectPassDepth,textCoord)));

… which is basically saying, at a point on the screen (texCoord), compare the depth of the original scene render and our selected target objects render depth, (step ….), and which ever is closer to the camera, display that (mix….).

Step 8: ???

Step 9 : Profit!

That is about it. This technique may not be the best solution, or the cleanest, but it works well, is pretty flexible so I hope you can find some use for it

I hope this can help some of you better understand how post-proccessing works, and how to leverage it to your advantage =)


Maker’s Tale Fur

I’ve been toying around with some fur shader recently, not really sure if I have a use for it yet, still cool =) :


 early test
 same set-up, quickly re-tinted
 same setup, no “length map” = long uniform furlength  
   in engine with several beefy upgrades







New Maker’s Tale : Tech Demo Video

A bunch of new progress:
– simplified wireframe UI placeholders
– mulitplayer + chat
– community map sharing
– hero character
– game rule + resource rules enforced
– heaps of stuff to help getting it ‘playable’
– unit upgrades
– new models – archer, enemy

And here is the first Tech Demo video, it never got a post of its own:

It’s Alive! “Maker’s Tale”

The Hex Engine project has finally emerged from getting a fresh splash of paint as:

Maker’s Tale gameplay takes place on a tabletop board game that has sprung to life in the imagination of young boy named Maker. It is currently Fantasy RTS like combat in an sandbox environment empowering the player to build up, tear down, and change the map/level in real time during play.

This video is from the “Tech Demo” – the most current version of the game engine, that I hope to have finished and ready to play really soon. It shows some of the new updates.

More details coming soon!


Old Art Assets

I was digging around some backups and found a bunch of models I made  for a Flash project many years ago, then a Unity project, then a UDK project:

3D Mesh Voxeliser

I put a bit of work into a mesh voxeliser, so I can turn existing 3D assets into voxel world objects :


In the proccess I changed the world random seed value by 1 to give a new background, and changed the terrain colour from brown to grey. I then had to have a quick look around to see what the new seed world looked like, and I found it to be a very interesting place to explore…


Terrain Side Project

I’ve been really sick for a few weeks and to take a break from my HexEngine work I knocked out a quick terrain side project.

(watching at 1080p will give you a-happy-a-feelings)

The terrain I made:

  • is purely procedural
  • is infinite in all directions
  • has a rough LOD system.
  • plays nicely with physics.

I deliberately pushed the limits to see how complicated I could get the terrain before it started tearing apart and breaking off into the air.

I will probably shelve this for now, more important work is afoot.

“Hex Engine” – The Third Camera Update

(full screen + HD if you can, the lower res versions have scaled poorly)

what’s new ::

  • Image Based Lighting
  • 1080p video
  • “PhysicalCamera”
    – Physically Accurate DoF
    – Focal Length and Aaperture Iris Diameter (f-stop)
    – Bokeh
    – Chromatic Aberration
    – Auto focus
  • WIP Updated SSAO system


“Hex Engine” – The Camera Update

I have been doing heaps of work on improving the UI, and on AI systems, so to take a break from all that  I added a more comprehensive camera + screen shot system.

The 5 screen shots taken during that video can be viewed at

I really cranked the blur amounts in the video because I figured it would get washed out and lost, it works heaps better with more subtle values.

basic description of the ui :

“Hex Engine” – The AI Update

Another week down, and another video.

I have been doing a lot of work on the AI and character systems, here is 10 minutes of setting up some basic AI for a level.

And a few select screen grabs from the video…

 Paths  Spawn multiple characters
 ‘Defence networks’  Attacking
Expansion  Caves
 Misc  Sneak attack



“Hex Engine” – Progress Walkthrough

After just under a fortnights progress, I have finally got around to making a 720p video of my WIP Hex Engine, covering a few of the features that are in there right now (well 2 days ago)…

a few select screens from  the footage:

 Simple Building  Advanced Multi Threaded Pathfinding
 Patherfinder Debugging  “Nifty” Debugging Panels
 ‘Edges’ and Ladders  Building a Simple Castle
 Test Level  Lighting the Hex Mesh


The music comes from a competition mix I did, you can grab a copy here : [button link=”″ style=”download” color=”silver”]DJ Rojek – Silence Is Golden DJ Comp Mix[/button]

(29:57 320kbps 70.2mb)